Der Sekretär & Ein Weimarfilm

With his "production films", from Ofenbauer, Stars, Der Sekretär and Ein Vertrauensmann to Wäscherinnen, Jürgen Böttcher emancipated himself from the conventions of Socialist Realism and placed the focus of his work inspired by Cinéma vérité and Direct Cinema on pure observation. The commissioned short films Im Pergamonmuseum and Tierparkfilm subversively tested the censors' tight restrictions. In 1977, Böttcher began his long-term collaboration with cinematographer Thomas Plenert.